16h00 | Centro Multimeios - Sala PolivalenteFORMAnimada is a meeting open to all those who are interested in the intersection between animation cinema and education, and who want to use animation cinema as a pedagogical and artistic tool now or in the future.
This meeting, part of the 48th International Animated Film Festival – CINANIMA 2024, will be a time to share methodologies, strategies and knowledge accumulated over the years about practices carried out in formal and non-formal educational contexts, with animation cinema as the backdrop.
Starting from a FRAME of a film made in an educational context, the various guests will give a behind-the-scenes account of the making of that film. The meeting will take the form of a round table and will include representatives from various national organizations involved in education through animated cinema.
Theme sentence: An animated interpretation of a shipwreck filmed over 100 years ago.
Film: O Naufrágio do Veronese
Synopsis: The story which tells the different fates of the crew of a ship stranded north of Leixões was imagined and animated from the archive “O Naufrágio do Veronese”.
Ana Luísa (1994) graduated in Cinema from the University of Beira Interior, attended the Master’s in Photography and Documentary Film at ESMAE and the Master’s in Typography and Editorial Practices at FBAUL. In film, she has collaborated on short and feature films, navigating various roles, from image to production. "Noite Turva" (“Through the Haze”) by Diogo Salgado, a short film she produced, had its international premiere at the Cannes Film Festival in 2021 and won the National Competition prize at the Curtas de Vila do Conde Festival the previous year. Since 2022, she has been more involved in film distribution and now, at Curtas Metragens CRL, in Educational Service, where she collaborates with the multiple educational projects of Curtas Vila do Conde - International Film Festival and Solar - Cinematic Art Gallery.
Carolina Bonzinho (1998) is an animation director and formation teacher based in Porto. She graduated in Communication Design at FBAUP, spending a semester at MOME Budapest. In the last couple of years she worked with BAP - Animation Studios, in several awarded films such as “The Garbage Man”, “Almost Forgotten” and “Percebes”. She is currently directing a short, animated docu-fiction film with Inês Costa, as part of the GAGE investigation project, and developing her first short animation film, selected for the Rise and Shine 2023 by CEE Animation. Her latest published work is the music video “Sunflowers - A Strange Feeling of Existential Angst”, with selections in festivals such as Animasyros, Animest and IndieLisboa, and awarded at Next Generation Indie Film Awards.
Theme sentence: A film that motivated the intergenerational conversations and explores the deep bond between grandchildren and their grandparents.
Film: Olá Avô! Olá, Avó!
Synopsis: In this animated self-portrait, the grandchildren are discovering through the eyes of their grandparents what it is like to be one.
Direction and Production: Agrupamento de Escolas de Argoncilhe. 4º ano – Crianças Prime1ro, Projeto FRAME
Ema Lavrador is an artist and researcher based in Porto. She holds a bachelor’s degree in Sound and Image and a master's degree specializing in Computer Animation from the School of Arts of Universidade Católica Portuguesa. In both her research and artistic practice, she explores different media, working mainly with photography, live-action and animation cinema.
Leonor Faria Henriques was born in Porto and studied Animation in School of Arts of Universidade Católica Portuguesa, where she directed 3 short films: Nothing is Lost (2020), Rua do Caneiro (2022) and My House Has A Lot of Windows (2023). She was part of the team that founded the animation collective Piquenique na Lua, who organized events such as ANIMAY.TION and workshops for children with CINANIMA. She also works as an animator and colorist in several projects, such as a TV series, short films and a long feature. Currently she works as an animator, illustrator and animation teacher.
Theme: Social exclusion
Film: Cerco-me de histórias
Synopsis: A social project developed in Bairro do Cerco with the aim of bringing together young people at risk to learn new forms of expression and communication, giving them a voice.
Direction and Production: Projeto de cariz social desenvolvido no Bairro do Cerco
Paulo D’Alva was born in 1980 in Avanca, where he started animating at the CCA. In 1996 he took part as an animator in the Alfredo series. Until 2001 he took part in several short films and made his first film A Noite Cheira Mal, which was shown at more than 100 national and international festivals and won 11 awards. He founded PANORÂMICA, where he held various workshops, thus contributing to the development of animated cinema as an educational tool. He worked as a director at the BAP studio, where he made the films Carrotrope and Fim de linha. He has a degree in visual arts from ESAP. Master in visual arts at UA. Guest lecturer at IPCA and IPVC. Esquizoframe is his latest film, produced by AMARELA MECÂNICA, a studio he founded in 2017.
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