Creative producer Agnė Adomėnė focuses on development and production of artistic animated films. In 2012 she founded production company ART SHOT, since then has been producing films of different animation techniques, most of the films are coproductions and received international recognition.
Agnė is also one of the founders and a board member of The Lithuanian Animation Association, a member of The Independent Producers Association of Lithuania, a member of The European Film Academy, a member of The Lithuanian Film Academy and WIFT LT.
A jury member at Annecy IAFF 2018, France, BIAF 2019, South Korea, Anima 2021, Belgium, Animafest Zagreb 2021, Croatia.
EDUCATION
2008 - 2010 Vilnius Academy of Arts, Department of UNESCO Cultural Management and Cultural Policy, the MA in Management.
2001-2005 Vilnius University, Faculty Of History, the BA in History.
Kaspar Jancis is an animation film director, composer and set designer. Lately he has been also designing electric vehicles, painting, and inventing board games. Multitalented creator, Kaspar has made over 10 animations since 2003 when he debuted with 2D animation "Weitzenberg Street" in 2003.
Many shorts and one feature "Captain Morten and the Spider Queen" followed during more than 20 years of work in animation. He has been repeatedly selected in to the competition of biggest animation festivals, and won multiple awards including Cartoon d’Or that he won with his film "Crocodile".
Leonel Vieira is one of the most successful and internationally recognised Portuguese directors/producers. He has directed 5 series and 14 feature films, some of which are in the top 10 of the most watched Portuguese films in history and still holds the highest box office in Portuguese cinema with the film ‘O Pátio das Cantigas’ (2015).
As a producer, he has developed co-productions with production companies in Brazil, Spain, France and the United States. He has produced almost 40 titles and more than 200 advertising films for major brands.
In 2024 he released the miniseries ‘Sr. Rui’ (2x50’), a biopic about the Portuguese coffee magnate Rui Nabeiro, which was #1 in the Top 10 on Prime Video. Also in 202, he directed and produced the film O Pátio da Saudade and a series for HBO Max, O Grito.
Lucija Mrzljak is an animation director and illustrator based in Tallinn, Estonia. She studied animation at esteemed art academies in Zagreb, Krakow, Prague, and Tallinn, completing her MA under Priit and Olga Pärn at the Estonian Academy of Arts. Her student films, “Shuma and Corner” (2016), gained festival attention. She has co-directed short films with Estonian director Morten Tšinakov, including “A Demonstration of Brilliance in Four Acts” (2018) and “The Stork” (2020), both awarded at numerous international festivals. Their latest short, “Eeva” (2022), premiered at Berlinale 2023, was shortlisted for the 2024 Academy Awards, won over 30 awards globally, and received the Emile Award for Best Visual Design.
In addition to her film work, Lucija directed animated music videos for Glen Hansard (The Closing Door, 2019) and Mari Kalkun (Maaimä, 2024). Lucija is also an accomplished illustrator, her work spans political satire, poetic children’s books, and poster design. Since 2019, she has taught at the Estonian Academy of Arts and has been a visiting lecturer at institutions including Aalto University in Helsinki, Turku Arts Academy, Lusófona University in Lisbon, and Aichi University of the Arts in Japan.
Steve Woods has worked in film since 1988.
His award winning work encompasses animations, documentaries, dance films and experimental films.
As a founder member of The Galway Film Fleadh, Steve initiated the first animation competition in Ireland there. He programmed the Irish animation showcase at the Annecy International Animation Festival in 2012 when Ireland was the guest nation. In 2023 he was awarded the Murakami award at Dingle Animation for his contribution to the Irish animation industry. He wrote “Drawing the Line” the first book about Irish animation, published in 2024.
Steve teaches Experimental Animation at the National Film School in IADT, Ireland. In 2006 he was a guest at Cinanima introducing a programme of student work from IADT. He is on the board of Screen Directors Guild Ireland where he established an animation subcommittee called Animation Alliance.
Júlia Rocha has been managing the production company Filmógrafo-Cinema e audiovisuais since 2005, where she holds production, executive and administrative roles, as well as managing production, co-production, and distribution projects.
She has collaborated with the Cineclube de Avanca since 1995, having been part of the Board of Directors on several occasions and participated in the production team of multiple projects. At the CCA animation studio, she was part of the painting team for the animated television series "ALFREDO." She was part of the production team of the first Portuguese animated feature film that officially opened CINANIMA’06.
She is responsible for promoting and publicizing Filmógrafo and Cineclube de Avanca productions at national and international film festivals. Over the years, he has participated in international film festivals and markets.
Since 1997, she has been involved in organizing the International Meetings of Cinema, TV, Video, and Multimedia (AVANCA), serving as part of the technical team. Coordinator and programmer of the VIDA OVAR movie theater (2014-2023).
Participated in the production of 77 films, including 71 Filmógrafo productions, including feature and short films, fiction, animation, and some documentaries.
Kajsa Næss; director and animator.
She has been writing and directing animated short films, animated documentaries, music videos and commissioned films for Mikrofilm for almost 30 years. Her short films have been shown at prestigious festivals such as Clermont-Ferrand, Annecy and Tribeca. Kajsa is known for exploring and experimenting with animation techniques and stretching genres. She often uses real-life events and stories as a starting point. She works mainly with classical animation and other 2D techniques.
Her dozen credits include “It Was Mine” (2015), “It’s Up To You” (2013), “Deconstruction Workers” (2008), “Leonid Shower” (2004) and “Mother Said” (1999). Her first animated feature film, “Titina”, was released in 2022.
Kajsa founded the Oscar winning studio Mikrofilm together with producer Lise Fearnley in 1996.
Nancy Denney-Phelps is a journalist writing about European animation and festivals as well as a producer of music for animation. Along with her composer/musician husband Nik Phelps, she co-founded the Sprocket Ensemble dedicated to presenting live performances of original music with screenings of contemporary animation from around the world.
Nancy's writings have appeared in such publications as CARTOON and ANIMATOON as well as on her regular blog for AWN (Animation World Network). She is also a regular correspondent for ASIFA/San Francisco and a member of the ASIFA International Board of Directors as well as an Ambassador At Large for the Emile Awards.
Nancy has served on numerous International Animation Festival juries and taught time management for animators at the Lucerne University of Applied Sciences and Arts, School of Art and Design. She is the pitching coach at ANIMARKT in Lodz, Poland as well as a member of their Brain Trust Advisory Board. She also awards the annual Nancy Award at the Kaboom Animation Festival in Amsterdam and is a member of the ANIMASYROS Festival Team. Her strong interest in the history of animation has led her to present programs on the history of animation traced through music at many animation festivals and conferences worldwide. She also works as advisor to several animation festivals and in 2019 was the recipient of a Lifetime Achievement Award from the ANIMAKOM Animation Festival in Bilbao, Spain. In 2022 Nancy received the Giannalberto Bendazzi Award from the Paris International Animation Film Festival. In 2024 Nancy published her first book On The Animation Trail, 20 Years of Animation Festival History.
Bruno Isaac Grade Caetano was born in Portimão, Portugal, in 1979. Self-taught animator and builder, he later graduated from Lisbon’s Faculty of Fine Arts Multimedia Investigation and Studies Centre (CIEAM) with a specialisation in Stop Motion technique. Despite having a strong preference for this technique, his professional career led him to participate in several projects with various animation techniques as well as in other areas of artistic interest.
He has worked as an animator, producer and director in productions from various production companies, and is a founding member of COLA Animation, an ever growing international cooperative of united artists, focused in producing, teaching and divulging animation all overt the world. In his spare time he also publishes comics and produces animation and comic book festivals in order to keep his inner teenager happy.
When it comes to his work as a producer, Bruno Caetano has achieved some of the highest nominations and distinctions possible. With an already vast catalog of auteur films with the COLA Animation seal, from talented directors from around the world, some of these films were selected and awarded at festivals such as Cannes, Toronto International Film Festival, Melbourne International Film Festival, Locarno Film Festival, Annecy, Zagreb Animation Festival, among other renown festivals. In 2022/2023, with “Ice Merchants” by João Gonzalez, he was the first Portuguese animation producer to be nominated for a European Film Award, the second Portuguese animation producer to receive the Annie Award for best short film and, in January 2023, he became the first Portuguese producer to be nominated for an Academy award, the coveted Oscar, of which, since 2023, he is a member.
Georges Sifianos (b. 1952, Greece) is a filmmaker and Professor Emeritus at ENSAD in Paris. He studied painting and scenography at the Athens School of Fine Arts and animation at Gobelins in Paris, earning a Ph.D. in Animation Aesthetics from the Sorbonne in 1988.
In 1995, he founded ENSAD's Animation Studies Department, teaching for over 20 years while lecturing at institutions such as Paris VIII University, Gobelins, La Fémis, and universities in India, Greece, China, and Japan. He supervised numerous diploma films, research projects and doctoral theses, contributing to groups like EnsadLab and PSL SACRe.
His research focuses on animation aesthetics, perception and mental imagery, and the analysis of movement in ancient art, particularly the Parthenon frieze.
He is the author of “Aesthetics of Animation Cinema”, which won the McLaren-Lambart Award for Best Scientific Book in 2014, and has written book chapters and published numerous articles.
Sifianos has directed the following award-winning films, among others:
Animated Shorts: "SMILE" (1974), "SCENT OF THE CITY" (1994), "TUTU" (2001), "IT'S ME" (2007) and "THE BLIND WRITER" (2021).
Documentary Feature Film: "PETROCHEMICALS, THE DESERT CATHEDRALS" (1981)
Luca Tóth is an award winning animation director and illustrator. She studied animation at Moholy-Nagy University of Art and Design in Budapest. After receiving her BA diploma she went on studying in London at Royal College of Art for her Masters degree. Her graduation film “The Age of Curious” won the Jury Distinction Prize at Annecy International Animated Film Festival. After studying and working in the UK, Luca moved back to Budapest where she made her first independent short animation “Superbia” which premiered at Critics’ Week in Cannes in 2016, and got selected into more that 80 international festivals. Her latest independent short film “Mr. Mare” debuted at Berlinale in 2019.
Márcio Laranjeira is a filmmaker from Espinho, who has navigated through various formats in the visual art of storytelling. From a concept of documentary novel he developed in Buenos Aires, where he studied, he has presented films of varying lengths, including documentary, fiction, short films, installations, feature films, and, more recently, a mini-series. What is comparable, however, are the characters he films from reality. Yet this reality can also be fantastical, as in Márcio Laranjeira's cinema, memory, dreams, fantasy, illusion, age, and home are mapped by an emotional geography that becomes visible.
Films like “Out of the Picture,” “Yet it Remains," and “A girl of her age" challenge narrative lines that are drawn not only by what is told but also by who tells their story and how they perceive the world. Then there is the invisible. This year marks the premiere of his mini-series “Shelter Home" on RTP, which brings forth the invisibility of women who rebuild their lives without ever showing graphic violence. The violence we see does not reside in the House, but within these unforgettable characters.
Meanwhile, he is preparing a play of his own authorship, a collection of short stories, and is returning to Espinho for a film that, as he says, is a birthday present for Cinanima, which will celebrate its 50th anniversary in 2026.
Ricardo Riscas is a graphic designer, DJ, and has a multidisciplinary background in cultural and associative activities.
With over 15 years of experience in graphic and editorial design, he has developed graphic concepts for festivals such as FEST – New Directors, New Films; CINANIMA — International Animation Film Festival; and FANTASPORTO — Porto International Film Festival. He has worked for weekly newspapers and on various independent editorial and cultural projects.
Co-founder of SALITRE, a multidisciplinary artistic collective that promotes events and initiatives related to alternative music and arts. The collective brings together people from different fields – graphic design, illustration, fashion, photography, cultural programming and journalism – creating a space for collaboration and creative experimentation.
Music has a strong influence on his creative process. As a DJ, he plays weekly for different audiences and contexts, challenging himself to create engaging atmospheres and share unique sounds and sensory contexts. He explores eclectic selections ranging from jazz to electronic music, covering multiple styles and decades of music.
It is also in relation to music that he developed a personal project of building guitars (Cigar Box Guitars) made from reused materials. A project where he deepened his craftsmanship and the use of various materials and techniques, putting creative thinking and the materialisation of ideas into practice. This project, called Lucky Stripes, led him to participate in events and fairs and to establish numerous collaborations.
Sofia Alexandra da Silva Faria was born in the parish of S. Paio de Oleiros, municipality of Santa Maria da Feira, in January 1981.
Completion of the 1st year of the Master's Degree in Museology, Faculty of Arts of the University of Porto, 2020/2021 (interruption due to maternity).
Degree in Heritage Conservation and Restoration, from the Universidade Portucalense Infante D. Henrique, Porto, 2010.
Professional Training Course in Conservation, Restoration, Bookbinding and Paper Recycling. Included in the scope of the Cultural Heritage Conservation Program, 2001.
Coordinator of the Terras de Santa Maria Paper Museum, since September 2018.
Employee of the Santa Maria da Feira City Council since December 2001, she was part of the paper museum team, performing functions in the following areas: preventive conservation of documentary heritage; conservation of equipment and furniture; design, assembly and disassembly of exhibitions; responsible for educational services; responsible for the production of artisanal and industrial paper; research support; creation and production of special books.
She was part of the Secretariat of the “3rd International Congress on Filigree in Digital Collections”, organized by the Austrian Academy of Sciences and the Santa Maria da Feira City Council, in May 2016; and the Secretariat of the “12th International Congress on the History of Paper in the Iberian Peninsula”, organized by the Hispanic Association of Paper Historians and the Municipal Council of Santa Maria da Feira, in June 2017.
Support for the results of the research in its contribution to the various publications of the paper museum, especially in the catalogues “From the Mill to the Factory” and “From the Forest to Paper”, with emphasis on the work “Filigrana: Séculos XIV – XIX” (TECNICELPA Collection), by Maria José Ferreira dos Santos.
Adriana Andrade is a young director and animator, currently living in Lisbon. Studied at EPI-Escola Profissional de Imagem in the 2D/3D Animation course, where she has an internship in Malta, through an Erasmus+ program.
Then, she enrolled in the Digital Animation BA in Universidade Lusófona, where she co-directs her first short film “Bursting at The Seams”, exploring for the first time her love for mix-media and irreverent materials, like fabric, beads and knick-knacks. Through its festival run, the short would end up being awarded in many festivals, like Cinanima and Prémios Sophia Estudante.
In the last year of the course, she co-directs the short films “The Old Man and the Lighthouse” and “I’ve Already Been Here”, where she kept exploring the techniques of stopmotion and alternative artistic styles.
Lover of the arts, cinema and stopmotion, aspires to keep creating narratives and focusing in directing short films.
Menno has always been an independent artist after finishing art school in 1990.
He expresses himself through different media like animation film, video installations, photography, sculptures, performances and multi media theatre.
Most of his career he has collaborated with his father Paul and many other artists.
All the films and video related art (±250 pieces) are in the collection of Eye Filmmuseum in Amsterdam. Different museums around the world have pieces of their work in their collections.
Born in Texas, composer/musician Nik Phelps now lives and works in Gent, Belgium. He has played with musical artists as diverse as Eric Johnson and Lou Rawls, Frank Sinatra and They Might Be Giants, Frank Zappa and Mary Martin. He recorded for over 10 years with Tom Waits, playing on three soundtracks and five CDs.
He began working with film music in 1988 with the Club Foot Orchestra, the influential San Francisco soundtrack group that was the premiere modern silent film orchestra. Since 1995 he has been working in the animation world and was nominated for an Annie Award for his music for the CBS TV series ‘The Twisted Tales of Felix the Cat’. In 1996 he founded the Sprocket Ensemble, a project combining live music and animated film.
He is active in the animation scene, creating music and sound for animators such as Nina Paley, Bill Plympton, Lei Lei and Ivan Maximov. Nik enjoys working with directors of all ages in the field of music and sound design and working with schools, forums and festivals conducting workshops dealing with performance technique and the creative process.
He has been a jury member at numerous animation festivals and is currently involved in giving Performance for Pitching workshops at pitching forums throughout Europe.
André Ramada, born and raised in Espinho, Multimedia Designer with a Master in Multimedia Culture and Arts, has a special interest in art, videogames, technology and the connection between all of them.
After his first contact with CINANIMA as a child, he kept following the festival until joining its team in 2022. Now, in 2023, he became the newest member of both the programming and communication teams. Always keeping an eye on the future of interactive art, he is focused on integration of immersive arts in the festival.
Teacher, pianist, essayist, critic and film programmer. In the literary field, he is the author of four publications on film and short film. He was the winner in the international film essay category at the VI María Luz Morales Awards (2022), as well as winning two runners-up prizes (2021 and 2024 editions). He is a regular contributor to the magazine Tempos Novos, writing articles on film festivals and interviews with both film professionals and classical music personalities.
His experience as a film programmer spans more than fifteen years. He was director of the animation festival ANIRMAU (2010-13), as well as being part of the programming team of FICBUEU (2012-23), being its deputy director from 2019 to 2023. Currently, he is mainly involved in the animation festival IMAXINARIA (A Coruña) and the short film festival FIC VÍA XIV (Verín), as well as the MICE-Museo do Pobo Galego (Santiago de Compostela), Mares da Fin do Mundo (Ribeira) and other projects of the Vigo-based production company Abella Producións, including GFFF (Vigo) and Cinema Miúdo (Ames).
He has participated as a jury member in nearly twenty international festivals (CINANIMA TIDCA-Taipei, IbizaCineFest, Curtas Vila do Conde, PortoFemme...). He is also a member of the Spanish Film Academy (responsible for the Goya Awards) and the Galician Audiovisual Academy (organiser of the Maestro Mateo Awards).
Susana Miguel António (Caldas da Rainha, 1985) has a degree in Communication Sciences and a postgraduate degree in Cultural Management. She worked in theatre, radio, television, advertising and cinema. She was an executive producer at the production company Sardinha em Lata between 2015 and 2020, where she worked on several shorts, TV pilots and a feature film. In 2022, she co-directed, with Filipa G. Costa, and wrote her first animated short film, "Melting". She produced the first edition of Manifest - Mafra Animation Film Festival in the same year. In addition to continuing her work as a director and screenwriter, she currently works as a producer at the international animation film cooperative COLA Animation since 2022. In 2024, she taught Project Applications and Production at the Animation post-graduation of Algarve University.
Hamilton Trindade born in São Tomé e Príncipe in 1983 and came to Aveiro in Portugal to study in 2005, where he completed the Agricultural Production Techniques course and graduated in New Communications Technologies (Aveiro University).
He took part in social television projects aimed at the university community and produced and directed his first short film (Iberia), as a collective effort.
He has been the president of ASSECOM-CA (São Tomé and Príncipe Association of Entertainment and Multimedia, Cultural and Artistic Communication) since its creation in 2011. He was part of the production team of Cine Teatro de Estarreja, and served as the technical manager for multimedia and cinema content. He is currently a member of the Communication Office of the Municipality of Estarreja. In 2014 he created the International Film Festival of São Tomé e Príncipe (SÃO TOMÉ FESTFILM) by ASSECOM-CA, aimed at boosting film making in São Tomé e Príncipe and to put the country on the worldwide cinema map. He has been a member of the panel of judges in several national and international film festivals. In 2017 he directed his first documentary Sonho Longínquo no Equador (Long Dream on the Equator).
Holds a PhD in Art and Design from the Faculty of Fine Arts of the University of Porto, (2010) and a Master’s in Art History from the School of Social Sciences and Humanities, NOVA University of Lisbon (1993).
Assistant professor at the School of Arts where she was dean between 2013 and 2017. Researcher at the Research Centre for Science and Technology of the Arts - School of Arts of the Universidade Católica Portuguesa, Porto.
She is a member of the International Association of Art Critics and Portuguese Association of Art Historians.
Research interests: history of art; visual culture; museology and curatorship; the relationship between art and heritage, art and landscape; public art.
Curator and author of books and exhibition catalogues about art history, namely monographies on Portuguese artists from the 19th to 21st centuries.
Niccolò Gioia is a director and animator who gained millions of views on YouTube with his stop-motion animations on the "Lumaken Studio" channel. After studying Cinema and Media Engineering at the Polytechnic University of Turin and completing the Stop Motion 2 course at the Aardman Academy, he now works as Head of Animation, Story Artist, and Director at Robin Studio, contributing as a stop-motion animator on various short films in collaboration with COLA Animation and Fantasmagorie Studio.
Ema Lavrador is an artist and researcher from Chaves.
She holds a master's degree in Computer Animation from the School of Arts of the Universidade Católica Portuguesa, and both in her research and artistic practice she explores different media, especially photography and live-action and animation cinema.
Her film “Terra à Vista” (2021) won a Sophia Estudante award for Best Documentary, her animation installation “Néon” (2022) was presented at the CINANIMA Festival, and her photography installation “Trás-os-Montes I e II” (2024) was presented at the Alumia exhibition, in the Nadir Afonso Gallery of Museu da Região Flaviense.
Recently, she has worked with the studios Animais AVPL and Pinguim Atrevido on film and television projects. She is a founding member of the collective Piquenique na Lua, is part of the BEAST International Film Festival organizing committee, and is a mentor for the FRAME educational service project at the CINANIMA Festival.
A full-time father, a journalist from 9 to 5, and the most misunderstood rockstar in the history of music on a part-time basis. Joel de Oliveira was born in 1993, and for almost ten years he has dedicated himself to exploring the world of regional journalism, currently at Cooperativa Nascente. In his downtime - when he takes a break from thinking about the meaning of life and the world - he is also passionate about cinema.
From studying Electrical Engineering at Instituto Superior Técnico to seagoing Pilot at Escola Náutica Infante D. Henrique, from the Portuguese Merchant Marine to american or french semi-submersible oil rigs — Paulo Cambraia’s career has been anything but ordinary. In 1991, he switched gears and jumped into the audiovisual world as a 2D/3D infographics artist, working with advertising studios on animated films. He got his start at Opticalprint, creating 3D animations for Sesame Street. Over the years, he co-founded Mega-T (Megatoon), served as president of Cartoon Portugal, and helped launch both APPA (Portuguese Association of Animation Producers) and APC (Association of Film Producers). He also sat on selection juries for Cinanima and ICAM. In 2001, he began teaching animation and video, sharing his expertise with new generations. Then, in 2009, he took another radical turn — returning to programming in C# as part of an e-marketing company’s development team. Retired since 2020, Paulo is still as busy as ever. These days, he’s diving into the history of Portuguese animated cinema, with two books already published and a third on preparation
Belmiro António de Oliveira Carvalho nasceu em agosto de 1968. Licenciou-se em Ensino de
Educação Visual na Escola Superior de Educação do Porto e fez mais tarde uma Pós-Graduação
em Design do Produto Industrial, Comunicação Visual na Escola Superior de Arte e Design do
Porto.
Começou a ver cinema de animação desde muito cedo, no CINANIMA, e de 1993 a 2004 foi
membro da sua Comissão Organizadora; coordenador da Oficina de Cinema de Animação
(atelier permanente); membro da direção da Cartoon Portugal – Associação Portuguesa do
Filme Animado de 1997 a 2000; e membro da Direção da Cooperativa de Atividades Culturais –
Nascente, Espinho.
Animador e realizador de cinema de animação, participou na execução e realização de vários
genéricos para o CINANIMA.
Foi jurado em vários festivais, nomeadamente no Festival de Documentário e Curtas
Metragens de Ficção, Porto 2001; no FEST 2003; no festival de Avanca em 2005 e 2007.
Como formador, dinamizou e realizou vários cursos e oficinas no âmbito do cinema de
animação, em diversas associações, festivais, escolas e associações. Como designer gráfico,
realizou inúmeros trabalhos para Instituições, escolas e empresas privadas. Como artista
plástico realizou várias exposições coletivas de pintura e fotografia nas cidades de Espinho, Vila
Nova de Gaia e Ovar.
Exerce funções como docente no Agrupamento de Escolas de Esmoriz, sendo Diretor de Curso
Profissional Técnico Multimédia lecionando a disciplina de Design, Comunicação e Audiovisuais
e as disciplinas de Educação Visual e Educação Tecnológica ao 2º ciclo.
Maria de Lurdes Miranda da Silva Natário was born in Santo Tirso and liveS in Espinho for 30 years.
She has a degree in Teaching - Visual Education, from the Escola Superior de Educação do Instituto Politécnico de Viana do Castelo. She has been a teacher in group 240 (Visual Education) since 1990. Member of the teaching staff of School Group Sophiade Mello Breyner, in Arcozelo, where she has held the positions of coordinator of the National Film Plan (7 years ago) and of sub- coordinator of the 240 and 600 school groups (visual education and arts).
Her CV includes several hours of training related to cinema and animated images.
Professora de 1.o ciclo do Ensino Básico desde 2000.
Há quase 20 anos a lecionar no concelho de Espinho, a visitar as exposições e a assistir aos
programas educativos do CINANIMA, com os seus alunos.
Participante em diversos projetos educativos e workshops, relacionados com o cinema de
animação, nomeadamente no projeto Crianças Prime1ro, desenvolvido com uma turma de 2.o
ano, da Escola Básica de Anta, no ano de 2017, com o filme “A Arte dos Violinos”.
Já este ano, tornou a fazer parceria com o mesmo projeto, numa turma de 3.o ano, da Escola
Básica Integrada Sá Couto, criando o filme “A Menina do Mar e o Menino da Terra”.
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Made with passion ❤ by CIRCLETEC
